Projects
Photo Los Angeles 2008
The QCP is proud to present the work of Ray Cook, Kim Demuth, Deb Mansfield and Bruce Reynolds at Photo Los Angeles, 10-13 January 2008.
Ray Cook is one of Australia's most influential and significant photographic artists. His practice spans 20 years and is characterized by innovative experimentation with photographic tableaux and hand-toned prints. Cook is currently undertaking his doctorate at the Queensland College of Art, Griffith University, Australia, where he is also lecturing. His major monograph Ray Cook: Diary of a Fortunate Man, published by the QCP launched in October 2007.
Kim Demuth has been a practicing artist for ten years, and has exhibited extensively in Australia including a solo show at the Institute of Modern Art, Brisbane in 2003. He received an Australia Council Grant for the Barcelona Residency in 2005. He has produced three public commissions in Queensland, and has been the recipient of several Arts Queensland and Australia Council grants. He works in mixed media, and is showcasing his sculptural photographic works at Photo LA 2008. Much of Demuth's work deals with silence and isolation, often through humour and surreal imagery.
Deb Mansfield has been a practicing artist for five years and has an extensive exhibition history in Australia, including two exhibitions at the Institute of Modern Art, Brisbane. She has produced several public art commissions in Queensland, and was a recipient of an Australia Council New Work grant in 2004, and of the 2006 Siganto Scholarship (Artworkers Alliance). Her work deals with the littoral and the relationship between the exotic and the domestic - the intimate space. Mansfield works with different photographic materials, from sculptural installations of large-scale photographs to hand-printed palladium prints.
Bruce Reynolds is an established Australian artists, known for his photographic and sculptural works as well as numerous public commissions in Australia and in Singapore. The works presented at Phpto LA 2008 are photographic images applied onto linoleum assemblages (collages) once part of Australian households which the artist rescues from derelict or abandoned buildings. These materials are a container of everyday memories that Reynolds uses as a background to investigate urban landscapes, thus bringing together the domestic/interior and the landscape/exterior, questioning the creation of the urban space and the forces shaping everyday life.
The QCP gratefully acknowledge the support of the Queensland Department of Tourism, Regional Development and Industry, Griffith University and Arts Queensland for this project.
