2006

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A to Z by Karen Milder

The fragments of text in Karen Milder’s photographs are often difficult to read. Many of the compositions are similarly ambiguous, involving the reflections and superimpositions caused by photographing through plate glass. Sometimes the layering of partial or obscure detail is comparable to a collage in which relationships are formed between disparate components to generate unexpected meanings. This treatment also dissolves coherent space, making the camera subjects somewhat abstract.

Excerpt from Timothy Morrell catalogue essay, 2006.